In the first place, these poems addressed themselves powerfully to one of the strongest of my pleasurable susceptibilities, the love of rural objects and natural scenery; to which I had been indebted not only for much of the pleasure of my life, but quite recently for relief from one of my longest relapses into depression. In this power of rural beauty over me, there was a foundation laid for taking pleasure in Wordsworth's, poetry. the more so, as his scenery lies mostly among mountains, which, owing to my early Pyrenean excursion, were my ideal of natural beauty. But Wordsworth would never have had any great effect on me, if he had merely placed before me beautiful pictures of natural scenery. Scott does this still better than Wordsworth, and a very second-rate landscape does it more effectually than any poet. What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a Source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings; which had no connexion with struggle ot imperfection, but would be made richer by every improvement in the physical or social condition of mankind. From them I seemed to learn what would be the perennial sources of happiness, when all the greater evils of life shall have been removed. And I felt myself at once better and happier as I came under their influence. There have certainly been, even in our own age, greater poets than Wordsworth; but poetry of deeper and loftier feeling could not have done for me at that time what his did. I needed to be made to feel that there was real, permanent happiness in tranquil contemplation. Wordsworth taught me this, not only without turning away from, but with a greatly increased interest in the common feelings and common destiny of human beings. And the delight which these poems gave me, proved that with culture of this sort, there was nothing to dread from the most confirmed habit of analysis. At the conclusion of the Poems came the famous Ode, falsely called Platonic, "Intimations of Immortality:" in which, along with more than his usual sweetness of melody and rhythm, and along with the two passages of grand imagery but bad philosophy so often quoted, I found that he too had had similar experience to mine; that he also had felt that the first freshness of youthful enjoyment of life was not lasting; but that he had sought for compensation, and found it, in the way in which he was now teaching me to find it. The result was that I gradually, but completely, emerged from my habitual depression, and was never again subject to it. I long continued to value Wordsworth less according to his intrinsic merits, than by the measure of what he had done for me. Compared with the greatest poets, he may be said to be the poet of unpoetical natures, possessed of quiet and contemplative tastes. But unpoetical natures are precisely those which require poetic cultivation. This cultivation Wordsworth is much more fitted to give, than poets who are intrinsically far more poets than he.
'Fugu is the Japanese blow-fish. In the water, it looks like a brown owl, but when captured it blows itself up into a ball covered with wounding spines. We sometimes dry the skins and put candles inside and use them as lanterns. But the flesh is particularly delicious. It is the staple food of the sumo wrestlers because it is supposed to be very strength-giving. The fish is also very popular with suicides and murderers because its liver and sex glands contain a poison which brings death instantaneously.'
'I see more of the world, I can assure you,' said Mr. Omer, 'in this chair, than ever I see out of it. You'd be surprised at the number of people that looks in of a day to have a chat. You really would! There's twice as much in the newspaper, since I've taken to this chair, as there used to be. As to general reading, dear me, what a lot of it I do get through! That's what I feel so strong, you know! If it had been my eyes, what should I have done? If it had been my ears, what should I have done? Being my limbs, what does it signify? Why, my limbs only made my breath shorter when I used 'em. And now, if I want to go out into the street or down to the sands, I've only got to call Dick, Joram's youngest 'prentice, and away I go in my own carriage, like the Lord Mayor of London.'
Miss Mowcher winked assent. 'Forced to send for me. Couldn't help it. The climate affected his dye; it did very well in Russia, but it was no go here. You never saw such a rusty Prince in all your born days as he was. Like old iron!' 'Is that why you called him a humbug, just now?' inquired Steerforth.
Dr. Clark came to see her; and though the fever was not very high, and no especial anxiety was felt, it was decided that she ought to go to Amritsar to be nursed鈥攁 Doctor there being on the spot. Miss Tucker was much grieved at the decision. She longed to remain, and to die in her dear Batala; and even then, evidently, she was making up her mind to the likelihood of death. But, however unwillingly, she submitted to the wishes of others, and went.
The poet Whittier writes:
The gardener who had been with us in former days stopped me as I drove up the road, and with gestures, signs, and whispered words, gave me to understand that the whole affair — horse, gig, and barness — would be made prize of if I went but a few yards farther. Why they should not have been made prize of I do not know. The little piece of dishonest business which I at once took in hand and carried through successfully was of no special service to any of us. I drove the gig into the village, and sold the entire equipage to the ironmonger for ￡17, the exact sum which he claimed as being due to himself. I was much complimented by the gardener, who seemed to think that so much had been rescued out of the fire. I fancy that the ironmonger was the only gainer by my smartness.
Lincoln's work as a farm-hand was varied by two trips down the river to New Orleans. The opportunity had been offered to the young man by the neighbouring store-keeper, Gentry, to take part in the trip of a flat-boat which carried the produce of the county to New Orleans, to be there sold in exchange for sugar or rum. Lincoln was, at the time of these trips, already familiar with certain of the aspects and conditions of slavery, but the inspection of the slave-market in New Orleans stamped upon his sensitive imagination a fresh and more sombre picture, and made a lasting impression of the iniquity and horror of the institution. From the time of his early manhood, Lincoln hated slavery. What was exceptional, however, in his state of mind was that, while abominating the institution, he was able to give a sympathetic understanding to the opinions and to the prejudices of the slave-owners. In all his long fight against slavery as the curse both of the white and of the black, and as the great obstacle to the natural and wholesome development of the nation, we do not at any time find a trace of bitterness against the men of the South who were endeavouring to maintain and to extend the system.
Her own was as red as ever I saw it, or any other face, I think; but she only covered it again, for a few moments at a time, when she was taken with a violent fit of laughter; and after two or three of those attacks, went on with her dinner.