天道好轮回单职业传奇|kediribertutur

Inspirasi Kediri Bertutur


                                        • James Bond took his usual place across the desk from M. A storm of memories whirled through his consciousness like badly cut film on a projector that had gone crazy. Bond closed his mind to the storm. He must concentrate on what he had to say, and do, and on nothing else.

                                                                                • Bond went round the room and examined the windows and the curtains and glanced at the wall brackets of the lighting. He said, "The brackets could be bugged. And of course there's the telephone. Like me to go over it?"

                                                                                  James Bond came back. He didn't say a word. The first thing he did was to get me a glass of water. The prosaic action, the first thing a parent does when the child has nightmares, brought back the room and its familiar shapes from the black and red cave of the ghosts and the guns. Then he fetched a bath towel and put a chair under the smashed window and climbed on it and draped the towel over the window.
                                                                                  Somehow, as I wrote to Agnes on a fine evening by my open window, and the remembrance of her clear calm eyes and gentle face came stealing over me, it shed such a peaceful influence upon the hurry and agitation in which I had been living lately, and of which my very happiness partook in some degree, that it soothed me into tears. I remember that I sat resting my head upon my hand, when the letter was half done, cherishing a general fancy as if Agnes were one of the elements of my natural home. As if, in the retirement of the house made almost sacred to me by her presence, Dora and I must be happier than anywhere. As if, in love, joy, sorrow, hope, or disappointment; in all emotions; my heart turned naturally there, and found its refuge and best friend.
                                                                                  James Bond was not a gourmet. In England he lived on grilled soles, oeufs cocotte and cold roast beef with potato salad. But when travelling abroad, generally by himself, meals were a welcome break in the day, something to look forward to, something to break the tension of fast driving, with its risks taken or avoided, the narrow squeaks, the permanent background of concern for the fitness of his machine. In fact, at this moment, after covering the long stretch from the Italian frontier at Ventimiglia in a comfortable three days (God knew there was no reason to hurry back to Head quartets!), he was fed to the teeth with the sucker-traps for gourmandizing tourists. The 'Hostelleries', the 'Vieilles Auberges', the 'Relais Fleuris' - he had had the lot. He had had their 'Bonnes Tables', and their 'Fines Bouteilles'. He had had their 'Spйcialites du Chef - generally a rich sauce of cream and wine and a few button mushrooms concealing poor quality meat or fish. He had had the whole lip-smacking ritual of winemanship and foodmanship and, incidentally, he had had quite enough of the Bisodol that went with it!

                                                                                   

                                                                                  'No, damn it. He's in Italy now. At least I think he is. That was the way he went. How did vou get on? It looked fine from down below.'
                                                                                  More than half the concerts, appropriately enough, will take place on the West Side, in Carnegie Hall and Avery Fisher Hall. And just as appropriately, this year's festival will be dedicated to a Westsider whose life has been an inspiration to millions of people, not only for the great music he has created, but for a heart as large as the Grand Canyon. To call him merely a giant of jazz could be an understatement, because they don't come any bigger than Lionel Hampton.
                                                                                  Bond carefully pulled on his ninja suit of black cotton. It was comfortable enough and would give warmth in the water. He left the head-shroud hanging down his back and pushed the goggles that belonged to Kissy's father up his forehead. The small floating pack he was to tow behind him rode jauntily in the waters of the creek, and he tied its string firmly to his right wrist so that he would always know it was there.
                                                                                  Bond thought, this girl has always had to fend for herself, but only against nature. She knows the world of animals and insects and fishes and she's got the better of it. But it's been a small world, bounded by the sun and the moon and the seasons. She doesn't know the big world of the smoke-filled room, of the bullion broker's parlour, of the corridors and waiting-rooms of government offices, of careful meetings on park seats-she doesn't know about the struggle for big power and big money by the big men. She doesn't know that she's been swept out of her rock pool into the dirty waters.
                                                                                  Bond cautiously raised his head. The bay was serene, the beach unmarked. All was as before except for the stench of cordite and the sour smell of blasted rock. Bond pulled the girl to her feet. There were tear streaks down her face. She looked at him aghast. She said solemnly, "That was horrible. What did they do it for? We might have been killed."

                                                                                                                        • Prodigal Son, in which the biblical story is danced out dramatically, is an example of a ballet with a plot. But the majority of Balanchine's works are based purely on music and movement. "The literary thing does not always work," he says. "You cannot move. There's very few stories you can do."

                                                                                                                                                                                                        • As she still stood looking fixedly at me, a twitching or throbbing, from which I could not dissociate the idea of pain, came into that cruel mark; and lifted up the corner of her lip as if with scorn, or with a pity that despised its object. She put her hand upon it hurriedly - a hand so thin and delicate, that when I had seen her hold it up before the fire to shade her face, I had compared it in my thoughts to fine porcelain - and saying, in a quick, fierce, passionate way, 'I swear you to secrecy about this!' said not a word more.

                                                                                                                                                                                                                                                • 'Well, he has got lobes,' said Bond, annoyed. 'Rather pronounced lobes as a matter of fact. Where does that get us?'

                                                                                                                                                                                                                                                                                        • ‘The Mote, Sept. 12, 1854.

                                                                                                                                                                                                                                                                                                                                • Hollywood party promises; and practice, practice and rehearse."

                                                                                                                                                                                                                                                                                                                                                                        • He loitered, listening for any sound. There was none, but half-way down the corridor one of the doors was ajar. A crack of blood-red light showed. Bond thought, I've probably had it anyway. In for a penny, in for a pound! He pushed the door open and stuck his head into the room. It was a long, low laboratory with a plastic-covered work-bench extending its whole length beneath the windows, which were shuttered. Dark red light, as in a film-developing chamber, came from neon strips above the cornice. The bench was littered with retorts and test-tubes, and there were line upon line of test-tubes and phials containing a cloudy liquid in racks against the far wall. Three men in white, with gauze pads over the bottoms of their faces and white surgical caps over their hair, were at work, absorbed. Bond took in the scene, a scene from a theatrical hell, withdrew his head, and walked on down the corridor and out into what was now a driving snowstorm. He pulled the top of his sweater over his head and forced his way along the path to the blessed warmth of the club-house. Then he walked quickly to his room, closed the door, and went into the bathroom and sat down on his usual throne of reflection and wondered what in God's name to do.